
The Pirate
DVD - 2007
A Caribbean beauty, who is engaged to a local rich man, has a mad crush on the legendary pirate, Macoco. A traveling singer falls in love with the beauty and to impress her, he poses as the pirate.
Publisher:
Burbank, CA : Distributed by Warner Home Video, [2007]
ISBN:
9781419844379
1419844377
1419844377
Branch Call Number:
DVD FICTION PIR
Characteristics:
1 videodisc (101 min.) : sd., col. ; 4 3/4 in.
4 3/4 in.
digital,optical,mono,rda
Dolby Digital
NTSC
video file,DVD video,region 1,rda
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Add a CommentVERY GOOD romantic Vincent Minnelli directed Technicolor 1948 film with Judy Garland at age 26 and Gene Kelly at 36, songs by Cole Porter. Interesting plot developments, good dancing (especially the ending 'Be A Clown' sequence with Gene, Judy) and more...
Oh, and a big nod to Robert Alton for his dance directing contribution!
Set on a fictitious Caribbean island in the 19th century Vincente Minnelli’s soundstage musical follows the fate of island deb Manuela (Judy Garland, nowhere near Kansas) a bored ingenue who tries to spice up her existence by fantasizing about a life of adventure in the arms of legendary pirate Macoco, a dashing buccaneer she’s only read about. But alas, the humdrum maiden is due to be married to local mayor Don Pedro, a portly and somewhat oily man several years her senior who promises her a life of comfortable banality. Enter the handsome scoundrel Serafin (Gene Kelly looking very fine) who’s just arrived in port with his traveling band of minstrels. A seasoned showman with an eye for the ladies Serafin immediately falls in love with the overtly naïve Manuela and decides to throw a wrench into her arranged marriage—even if it means masquerading as the nefarious Macoco himself. Music and romantic complications ensue. Aside from a bit of erotic innuendo and a few rousing song & dance routines inspired by Noel Coward’s music—most notably a fiery piratical number with Kelly showing off the goods in a pair of too-tight shorts and a gymnastic version of “Be A Clown” which was banned in the South because it featured blacks and whites sharing the stage—it’s just a whole lot of technicolor fluff and nonsense with hammy performances and a flimsy script. Little wonder it bombed at the box office.